Articles

“The Magic of Merlin”

the Cello Museum , August 23rd, 2023: https://cellomuseum.org/the-magic-of-merlin/

 “Lessons Learned from Decades of Handel’s ‘Messiah’ Performances”
Strings Magazine
November 25, 2022

6 Tips for an Efficient, Harmonious Classical Ensemble Recording Experience
Strings Magazine
November 16, 2022

Art for All: Rosalind-Denise Rogers Uses Music to Prepare Students for Bright Futures
Strings Magazine
October 7, 2022

Adult Summer Music Camp: 4 Ideas for Some Chamber-Music Fun (and Study!)
Strings Magazine
March 30, 2022

“The Changing Role of Music Editors in Classical Music”
Strings Magazine
October 8, 2021

Demystifying the Dazzling Variety of Historical Bows and How to Find the Right One
Strings Magazine
August 13, 2021

Tips for Busking and Outdoor Gigs with Stringed Instruments
Strings Magazine
June 8, 2021

A New Digital Edition of J.S. Bach’s Cello Suites Takes Every Manuscript into Account
Strings Magazine
January 14, 2021

Eastman Cello Professor Steven Doane on the Lessons for His Incoming Students
Strings Magazine
December 12, 2018

Workshop, Rest & Repeat: A Selection of Chamber-Music Camps for Adult Amateurs
Strings Magazine
March 6, 2018

The Orpheon Foundation Brings Ancient Instruments—and Music—to Life
Strings Magazine
October 17, 2017

Learning Style Through Immersion at the Global String Intensive at Berklee College of Music
Strings Magazine
February 9, 2017

5 Options for Anchoring Your Cello’s Endpin
Strings Magazine
November 1, 2016

How to Prepare for an Outdoor Performance: 4 Steps Toward a Better Outside Gig
Strings Magazine
March 1, 2016

Rambling Around the New England Festival Scene: Or What I Did on My Summer Vacation
Strings Magazine
March 5, 2015

Why I Play Chamber Music: 19 String Players Talk About Their Passion for Playing in Small Ensembles
Strings Magazine
February 5, 2015

Violin Sound Production: Tips on Tone
Strings Magazine
August 22, 2012

5 Tips on Approaching French Baroque Music
Strings Magazine
January 1, 2010

How to Tame Those Howling Wolf Tones on Cello
Strings Magazine
May 12, 2005

Magical Merlin
Cello.org

Interviews

“Cellist Sarah Freiberg: Have Cellos, Will Travel”
The Cello Museum
March 24, 2023

Francesco Guerini, Six Solos for a Violoncello with a Thorough Bass for the Harpschord, Opera IX
Edited by Sarah Freiberg
Broude Brothers Limited and Performers’ Facsimiles